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Friday, May 24, 2013

Review: Fast & Furious 6


by Trevor Kirkendall
★★½


Who would have thought after 2001’s summer hit “The Fast and the Furious” that we’d be looking at a sixth installment twelve years later? The original film was dry and the second was terrible. Once director Justin Lin took over the franchise with “Tokyo Drift” in 2006, it became pretty evident that we had a franchise on our hands. At the same time, the creativity when Lin took over seemed to hit the breaks. But people continue to come to these movies whenever they’re released, and “Fast & Furious 6” will probably be no exception. More fast cars and special effects, what else can you expect from this franchise?

“Furious 6” takes place some time after the events in “Fast Five.” Dominic Toretto (Vin Diesel), Brian O’Conner (Paul Walker) and the rest of the crew are living their lives as newly minted multi-millionaires. Brian now has a child with Mia (Jordana Brewster), Dom’s sister. Life is good and simple for the whole crew.

Then one day “Fast Five’s” nemesis Hobbs (Dwayne Johnson) shows up on Dom’s doorstep looking for his assistance. Hobbs and his new partner (UFC’s Gina Carano) are after a highly trained group of thieves lead by an ex-solider named Owen Shaw (Luke Evans). Shaw and his crew have been stealing military equipment to build a device that would greatly hinder an army’s ability to fight in the field. They only need one more component to make it operational. Oh, and one of the members of Shaw’s crew is Dom’s ex-girlfriend Letty (Michelle Rodriguez) who was thought to be dead.

Dom can’t resist going after Letty, and neither can his crew. Along with Brian, Dom gets the whole team back together: Roman (Tyrese Gibson), Tej (Chris ‘Ludacris’ Bridges), Han (Sung Kang) and Gisele (Gal Gadot). The team assembles in London, armed with more fast cars, advanced gadgets and full pardons if they successfully bring down Shaw.

The rest of the film is pretty standard stuff. The highly choreographed car chase sequences loaded with shaky camera movements and staccato editing techniques are what people want to see when they come to these movies. “Furious 6” absolutely delivers in that regard. This is Justin Lin’s fourth film in a row with this franchise and his ability to construct these action sequences continues to improve with each outing (although he is not signed on to direct the forthcoming seventh installment).

There is some disconnect in the action sequences, however. Throughout the epic climax sequence, there are so many different individual things going on that it’s kind of hard to keep track of what’s going happening. At times the cuts come so fast, its difficult to tell who was punching whom, or which car just crashed and burned.

And when Lin decides that he wants his film to have depth and emotion, he really drops the ball. Numerous moments in “Furious 6” drag on and on for longer than needed. A family-first mentality is one of the themes that’s hammered throughout the film, but every time its brought up it feels out of place. In the middle of action sequences when lives are on the line is really not the time to remind the guy hanging on by a thread he needs to do it for the family.

The sentimental moments are monotonous and laughable. Everything feels scripted. Everything feels forced. The dialogue is cheesy. The comic relief – thanks mostly to Tyrese and Ludacris – works well, even if there really isn’t a need for comic relief in a high-octane action flick such as this.

But lets be honest, you can’t just throw together a two-hour movie with only cars zinging by at top speeds through the crowded streets of London. I suppose you probably could but then it would just look like you were watching someone playing “Gran Turismo” on the PlayStation for two hours. Not a whole lot of fun. There needs to be some kind of narrative in there. But why spend a whole lot of time on the story when you know everyone is just there to see the fast cars?

“Furious 6” is yet another example of one of those movies where the built in audience is going to get exactly what they wanted to see. There’s no depth, but plenty of special effects and stunt driving. The size and scope of the action sequences pretty much warrant a required viewing in a big theater. I doubt the same effect will come across at home. As long as expectations are curbed, “Fast & Furious 6” is exactly what’s advertised. Nothing more and nothing less. 

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