★★★
Alien invaders [Kaiju;
Japanese for “strange creatures”] coming from the “breach”—a portal from
another dimension that manifested in the middle of the Pacific plate.
This is
the premise for Guillermo del Toro’s (Pan's Labyrinth, Hellboy) summer, big-budget action thrill-ride “Pacific
Rim.” While the story-line is spectacularly original (given Hollywood’s recent
panache for remakes and sequels/pre-quels) , it does evoke thoughts of classic Godzilla
meets “Aliens” meets “Transformers.” But this movie works thanks to the dynamic writing duo of Travis Beacham (Dog Days of Summer, Clash of the Titans) and Guillermo del Toro!
The cast, while not littered with an ensemble of big-name stars (with the
exception of a few appearance by Ron Perlman), really work well together to
fulfill del Toro’s vision.
To fight the Kaiju,
large, robotic, war-machines (Jaegars) are developed through world-wide
collaboration. Two pilots are mind-melded together and “synced” with the machine
to run it as a human-like combatant—only 500 feet taller. The plot focuses on Raleigh Becket (Charlie Hunnam; “Sons of Anarchy,” Green Street
Hooligans) and his ability to overcome the debilitating loss of his brother from
a battle-gone-wrong with a Kaiju off the Alaskan coastline. He disappears from
the lime-light (and the front line of battle) only to be pulled back into
reality as the Jaegar program is threatened by budget cuts and mounting defeats
by the ever-evolving Kaiju invaders.
Raleigh is brought
back into the fold of the remaining Jaegar pilots—only 7 remain—and is reunited
with he and his brother’s former machine, the Gipsy Danger. The last remaining
analog-programmed, nuclear powered Jaeger. The search begins for his new
copilot. Not an easy process as they have to be able to be compatible in
fighting ability and mind-flow processing. Raleigh easily bests all of the top
candidates, but is drawn to a military analyst, Mako Mori (Rinko Kikuchi), his
commanding officer’s (Idris Elba) ward. Is it an attraction of lust, or of
perfect compatibility? I… will leave that for you to discover…
The plot continues much
as expected in all alien-based thrillers. The humans are trying to vanquish the
alien invaders only to be thwarted at each turn by an ever growing (and
seemingly endless) array of Kaiju. They just keep getting bigger and more
powerful.
Enter the science
research department headed by biologist Dr. Newton Geiszler (Charlie Day) and chaos
mathematician Gottlieb (Burn Gorman). Gottlieb theorizes that the invasion is
on the verge of exponential increase as the attacks keep getting closer and
more precise; while Dr. Geiszler is attempting to understand the thought
process behind the creatures invasion. Through his research, he “mind-melds”
with a partial, living frontal lobe of one specimen and determines they are all
mentally congruent—also sneaking a peak at their ultimate intentions and
history in the process. Finally the military is able to develop a plan to destroy
the “breach” and remove the invaders once and for all. IF everything can go
according to plan.
An amazing ride from
the opening sequence to the final clip after the credits. I was drawn into the story
through all of its twists and turns. Well acted and amazingly edited by the
team of Peter Amundson (Star Wars episode 5, Hellboy) and John Gilroy (Warrior,
Micheal Clayton), there was not a lot of downtime to allow your mind to wander.
The sound effects were mind blowing and the visual effects are another great
example of the efforts at ILM and Ghost VFX for combining green screen and
animatronics into a seamless vision.
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