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Saturday, March 29, 2014

Review: Bad Words

by Trevor Kirkendall
★★★

“Bad Words” marks the feature film directorial debut of Jason Bateman. He’s no stranger to being behind the camera. He directed an episode of his cult television series “Arrested Development” for Fox. And before that, he directed three episodes of “The Hogan Family” when he was 18, making him the youngest ever director for the Director’s Guild of American at the time. So what took him so long to break into directing a feature film? I suppose he was waiting for the right script to come along. “Bad Words” was a very worthy script and he’s turned it into a very worthy first feature.

Guy Trilby (Jason Bateman) sure seems like a loser, but he might just be a genius. He’s also a ragging asshole, to put it nicely. Through a small loophole in the rulebook, Guy has worked his way into a children’s spelling bee. He dropped out of school in the eighth grade, and the contestants need to have not graduated from the eighth grade in order to participate. So Guy is in, much to the chagrin of all the parents and judges. And it’s not a piece of cake either. They’re not easy words; anyone who has seen the spelling bees on TV know they don’t take it easy on these kids. But since Guy is some sort of genius, he gets through with relative ease. All he needs is a media sponsor, which he has in Jenny Widgeon (Kathryn Hahn).

After winning a regional championship, Guy is off to the national Golden Quill Spelling Bee in Los Angeles. On his way out there, he meets one of the contestants, Chaitanya Chopra (Rohan Chand), a 10 year old bursting with energy and face that never frowns. Guy wants nothing to do with him, yet they end up on the same hotel floor.



Dr. Bernice Deagan (Allison Janney) oversees the Golden Quill and she hates the fact that Guy is here. She vows to get him out as soon as possible. The contest itself is the brainchild of Dr. Bowman (Philip Baker Hall) who is having it broadcast live on TV for the first time. Guy knows this, and its all part of diabolical little scheme. He may be a jerk and come across as a loser, but he’s very smart. He knows exactly what he’s doing. And he’s here for a purpose, one that he doesn’t share, to Jenny’s dismay.

Bateman has shown time and time again that he’s a great comedic actor (which he still doesn’t get a whole lot of credit for), but with “Bad Words” he proves himself as a very capable comedic director. The premise of this film, on the surface, seems very remedial and empty, but Bateman is able to breathe a lot of light into it, giving the film quite a bit of heart and depth.

The script comes from first timer Andrew Dodge, who has written what will surely be one of the year’s funniest movies. The whole story is simplistic and could have easily been told as a short film, but it works well in its extended length. Behind all the crude humor is a big-hearted narrative that resonates well. And while it may come across predictable, the final act is a riot with some unexpected happenings.

Bateman is solid as usual. He’s always seemed very comfortable in leading roles and I wish he’d accept more of those parts. Kathryn Hahn is strong in her role too. She’s been around for awhile in smaller roles and on TV shows, but I think she’s about to really break out into much bigger and more visible roles. I also liked seeing Philip Baker Hall in his role, as small as it was. Despite that, it’s probably one of his stronger performances in awhile.

But the real star of the film is young Rohan Chand. He steals every scene that he’s in. At first he might seem like he’s just going to be annoying nuisance of a secondary character, but he becomes a much larger part of the plot as we move along. He lonely, but that doesn’t seem to bother him. He’s a happy-go-lucky character and Chand plays it to near perfection. This movie is all his.


As the film’s director, Bateman has taken the relatively basic premise of “Bad Words” and made it into something much more meaningful. It doesn’t have an enormous impact emotionally, something that I thought it might achieve about halfway through, but it’s still genuinely heartfelt. Just because it’s a simple idea blended together with pervasive language and foul humor doesn’t mean it can’t be genuine. Bateman as a director has proven himself capable of making movies like that.

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