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Showing posts with label Jennifer Garner. Show all posts
Showing posts with label Jennifer Garner. Show all posts

Friday, April 11, 2014

Review: Draft Day

by Trevor Kirkendall
★★★

“Draft Day” is a film that helps provide a little bit of insight into how a front office works on the first night of the National Football League’s draft. It’s a film football fans should be able to embrace. But for those who don’t care for the sport one way or another, it’s still going to be something you can like. It’s a simple premise – only taking place over the course of one day – and works very well thanks to a very concise story told very well.

Sonny Weaver, Jr. (Kevin Costner) is going to have a heck of a day. It’s the day of the NFL draft and it’s his second year as the general manager of the Cleveland Brown. The team’s owner Anthony Molina (Frank Langella) really wants him to make a splash. Sonny figures this means trading away his first round draft picks for the next three years to Seattle in exchange for this year’s number one pick. The top pick in the draft is thought to be Heisman Trophy winning quarterback from the University of Wisconsin Bo Callahan (Josh Pence), a once in a lifetime type of quarterback. This, of course, doesn’t sit well with Cleveland’s new head coach, Coach Penn (Denis Leary) who had his heart set on a top running back from Florida State Ray Jennings (Arian Foster – yes, that Arian Foster).

While most of us are probably very familiar with the whole NFL Draft process thanks to ESPN’s unflinching coverage of the event each year, the behind the scenes action is probably a little less known. I’m sure it’s unfamiliar territory for screenwriters Scott Rothman and Rajiv Joseph as well. A lot of work goes into designing the perfect draft board for all 32 NFL teams every year. I wouldn’t be surprised to learn that each team has a small group of people already ranking the prospects for next year’s draft before this year’s draft even starts. “Draft Day” makes it look like Weaver is the only person in charge of all the decision making processes. But then again, it’s a movie. We’re always asked to suspend our disbelief to an extent.

This is all done for dramatic purposes and I understand that. This is a film where your expectations will determine how much you like it. If you’re looking for a film that’s going to give you a detailed overview of all the inner workings of NFL franchise’s draft day procedures, “Draft Day” isn’t it. However, “Draft Day” is still a very enjoyable movie. It takes the best dramatic moments of what probably happens in a draft room, and blends them into what ultimately amounts to very solid story.

Not only is Sonny the GM, but we’re also are treated to see much of his personal life as well. There’s his private relationship with the Browns’ salary cap manager Ali (Jennifer Garner). He’s also just lost his father Sonny Weaver, Sr. who is a Cleveland legend, coaching the Browns for years. Living in a father’s shadow isn’t easy, especially when the father is beloved by an entire city. The ongoing feud between Penn and Weaver occupies a good chunk of the story. Leary plays the roll well, one that I imagine is very consistent with many NFL head coaches and general managers. The only thing not believable about Penn is that he used to coach the Cowboys where, according to Penn, “they win.” He flaunts his Super Bowl ring every chance he gets. Except for the Cowboys have been the definition of mediocrity for the better part of a decade now, but I digress. There’s Weaver’s mother (Ellen Burstyn) who’s there to help add to the stress of Sonny’s day. She succeeds, part because of the character, but mostly because it’s Burstyn in the role.

There are too few scenes involving Costner and one of the potential draft picks, Ohio State linebacker Vontae Mack (Chadwick Boseman). The few we are treated too are some of the best scenes in the film. Boseman is a budding star and we should all be on the lookout for him to take Hollywood by storm. Many will remember his fiery performance as Jackie Robinson in last year’s “42” and we have his role as funk legend James Brown to look forward to this summer in “Get on Up.”  For a supporting role, his character is really well developed even in so few scenes. All the draft prospects are, for that matter. Once again showcasing the great writing by Rothman and Joseph.

However, there are many clichéd filled moments that clutter the script, particularly in characterization.  Weaver’s intern (Griffin Newman) is a walking cliché placed here only for the purposes of breaking up the dramatic moments with some humor. But there’s already enough genuine humor written into the script. Credit that to director Ivan Reitman (“Ghostbusters”) for being able to bring out the humor in the script and delicately balancing it against all the dramatic moments. This is one of his best films in years but let’s be honest, he hasn’t exactly been turning in gems for close to 20 years.


Still, “Draft Day” is surprisingly well done for a film that could have easily have fallen flat on its face. Most of this is thanks to the very well developed screenplay from Rothman and Joseph. For first time film writers, they really nailed it. There’s enough football in this film for football fans to like it, but there’s also a lot of personal drama and conflict for the non-fans. There’s nothing else really to it than that. Sometimes the simplest stories can have a lot of complex elements to it and be enormously satisfying in the end. 

Sunday, November 24, 2013

Review: Dallas Buyers Club

by Trevor Kirkendall
★★★

“Dallas Buyers Club” is a true story that discusses how bureaucracy interferes with expediting the FDA’s drug approval process. It’s not a film built on political motivations. It doesn’t take one side or another. What it does do is personify exactly who this approval process hurts. But that’s not the only story behind “Dallas Buyers Club”. This film features two of the finest acting performances you will see in any movie this year.


Matthew McConaughey stars as Rob Woodroof, a rodeo bull rider and electrician in Dallas, TX in 1985. The AIDS epidemic is a very hot topic in the news. At that time, the vast majority of cases are coming from homosexual men. Woodruff is a womanizer so contracting AIDS is not something that’s high on his mind. He engages in unprotected sexual relations with many different women. He’s homophobic to a fault, not wanting to be anywhere near a gay man. On top of that, he’s also an alcoholic and a regular cocaine user.

An accident at work one day lands him in the hospital. A blood test reveals he has HIV. Woodroof doesn’t believe it since he’s not gay. The doctors, Dr. Sevard (Denis O’Hare) and Dr. Eve Saks (Jennifer Garner), tell him he only has 30 days left to live. Woodroof hears about a clinical trial being done in the hospital for a drug called AZT and wants in on the tests. Dr. Saks tells him he can’t be a part of the study, but Woodroof is able to get some drugs anyway thanks to an orderly. He takes the drugs in high doses thinking that will kill the virus, but it’s very toxic at that level which almost kills him.

At the suggestion of the orderly, Woodroof travels to Mexico where a doctor gets him off the AZT and starts him on some more non-toxic drugs and proteins to help treat his illness. Woodroof can’t believe that these drugs aren’t available in the United States, but the FDA won’t allow them. Woodroof wants to buy up a lot of the medication and bring it back to the US in order to sell. With the help of a transvestite with AIDS he met in the hospital named Rayon (Jared Leto), Woodroof opens up what’s called a “buyers club” where they give the drugs away for free as long as they pay a $400 a month membership.

“Dallas Buyers Club” is a film built on a story foundation that can be seen in just about every movie you watch. That doesn’t make it unoriginal, it just means it’s following a formula that’s proven and works. Screenwriters Craig Borten and Melisa Wallack haven’t broken any new ground here, but their script is very solid. There’s nothing in here that shouldn’t be, the dialogue is well written and it’s well paced. There’s just no new ground being broken here.

Director Jean-Marc Vallée has a good grasp on the subject matter here and seems to understand what the focal point of this film needs to be. The movie is a critique on the FDA’s approval methods and how a pharmaceutical company can influence what drugs get to the market first. “Dallas Buyers Club” has outstanding performances, but those don’t need any additional attention. Vallée allows his actors to shine all on their own while keeping his attention turned on getting the subject matter to the forefront. He is successful in this regard.

While the subject matter is very important, the movie is also a showcase of great performances. Both McConaughey and Leto are entrancing on screen together. Both are virtually unrecognizable in their roles. The each lost an enormous amount of weight in order to play these parts. McConaughey sports a hairstyle that rivals that of Javier Bardem’s mop in “No Country For Old Men” while Leto does the entire role in heavy makeup and women’s clothes.

Their roles are written to be completely different from one another. McConaughey’s Woodroof is homophobic who continually throws out slurs to slander people like Leto’s Rayon. There’s no reason for these two would ever have been friends under any normal circumstance. They need each other in order to prolong their lives and to make money off of other people’s issues too.

Leto is a revelation in this role. He doesn’t do a whole lot of movies recently as he prefers to spend more time with his band. As an actor, he’s never been someone I ever thought was a stunningly good. He was great in “Requiem for a Dream” but he hasn’t done much since then. And then he reappears out of nowhere after taking a break from acting for four year with a role like this. His role in “Dallas Buyers Club” is humorous, heartbreaking and everything in between. He works great alongside McConaughey.

As for McConaughey, he’s never been better. He’s already shown his true acting potential with “Mud” earlier this year, but carries it even further with his role as Woodroof. Not only does he completely embody this character in every aspect of his performance, he’s also physically transformed to look more like the real Ron Woodroof. McConaughey shed his usual rugged good looks in favor of a skinny, gaunt and sickly apperance. There are many times when watching him that I forgot it was McConaughey in that role. This is the best performance of his career and one of the year’s best performances all around.

“Dallas Buyers Club” sheds some light on the backwards inner-workings of the FDA and how much government bureaucracy interferes with treating sick people. It doesn’t make any kind of political stances even though it does vilify the government agency to an extent. It’s really well made and quite entertainment even though it really brings nothing new to the cinematic table. McConaughey and Leto’s performances are the best reasons to check this one out. I can’t say it enough: they are absolutely sensational.